Working notes
B
Draft
Photocopied from a notebook, twice, at the wrong setting. Kept because the errors are more useful than the notes.
Slow Machine
Two decks. Deck A plays into deck B, deck B plays back into A. The delay is however long the tape takes to walk across the room. About nine seconds if you put them far enough apart.
— it degrades. that’s the piece.
Stairwell
Six floors. Sing one note on the ground floor, walk up, sing it again on each landing. The building transposes you. By the fifth floor you are a semitone sharp and it is not your fault.
recorded March. someone’s dog on take 4 — kept it.
Paper, Burning
Felt between the hammers, bulldog clips on the low strings, a sheet of tracing paper laid over the soundboard. The paper is the instrument. The piano is the amplifier.
do NOT actually burn anything (2019)
A short list of things that did not work
- Recording a room with the door open. You get the corridor.
- Asking players to “play quietly.” Ask them to play as though someone is asleep upstairs.
- Any microphone more than a metre away from anything.
- Notating silence in bars. Notate it in seconds, or it becomes a rest and people wait through it.
- Explaining the piece before the performance.
the last one took eleven years to learn
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Works 001–014